Talamasca: The Secret Order delivers a compelling, character-driven mystery that thrives when it centers on Guy Anatole, a grounded and relatable lead whose charm and determination pull viewers into the supernatural world. The show excels in subtlety, hidden details, and clever ties to Interview with the Vampire, offering rich rewards for both new viewers and longtime fans of Anne Rice’s universe.

Gen V returns with its second season and proves that it’s a series that can stand on its own. Emma’s levity, Cipher’s intellectual villainy, and Slater’s chilling presence prove that Gen V is a strong, compelling show but fails when it reverts back to the weak characters and misjudged humour of its parent series. Gen V feels like a true team and has characters you will root for and the writers have shown that they can deliver when it comes to the drama and complexity of The Boys universe.

There are two sides to every story but perspective is key and The Girlfriend is a gripping psychological thriller that draws you in deep to the drama and crimes while twisting your own view on who is right or who to root for. Olivia Cooke and Robin Wright carry the series with ease, playing off each character's psyches with turns that can be absurd but not unexpected from the two characters. Cherry and Laura are obsessed with having the upper hand as their desires turn from being with Daniel to destroying each other just to keep him and every scene is perfectly crafted to create palpable tension and show that there is no limit to how far each of the characters will go. It’s crazy, violent and a great thriller that goes into the psyche and tests how far a person can go and how much they can be trusted.

Daryl Dixon’s third and penultimate series grows in strength and gives life to a franchise that could easily be dying with so many spin offs. The new country keeps things fresh and revitalizes the plot but not the titular character who regresses back into the reluctant jaded hero that quickly irritates and hinders any plot and makes it clear that there’s not much road left of his journey and it's struggling with him as the lead. Carol is the strength but it is the new cast Eduardo Noriega, Candela Saitta, Hugo Arbués and Alexandra Masangkay who give the series every strength. OUt of the familiar faces it continues to be Carol’s growth and determination that centres the series, bringing things that we recognise from her presence but growing with the story instead of resisting it like Daryl. More drama than zombie, Daryl Dixon is revitalized with the third season. 

The Runarounds promises to be a drama focused on a group of teens on the cusp of adulthood, with dreams of stardom but it struggles to find it’s rhythm at times. Main characters feel flat, despite being the focal point of several dramatic plot points. While the show sets up some emotional and character-driven moments, much of it feels surface-level and repetitive. It may appeal to younger viewers looking for light drama, but it misses the mark as a compelling band-centric story.

Amazon’s underrated gem, Upload ends with a four-part series final event. There’s a lot covered in the final episodes from sentient AI that turns evil, romantic triangles, corporate espionage and bizarre comedy, the final season doesn’t miss. Sometimes it can be rushed to get to the end point but it's a perfect end to a series that gives a deserved resolution to all characters and wraps up the world in a way that feels hopeful but nostalgic. It’s still a quirky and absurd show that tackles corporate greed and what it means to be human but the heart remains and feels like a kind goodbye. 

Discovering an alternate world where life is everything he wishes it could be, Peacemaker is forced to face his past and take the future he wants into his own hands. It’s an exciting continuation of Peacemaker’s story filled with absurdly funny moments mixed with over the top and chaotic violence that work perfectly for this universe. In the first five episodes screened for review, the show elevates from the previous season in every way possible to make it a fun watch that brings an exploration in the possibility of redemption and how trauma defines the characters.

My Oxford Year clearly aspires to be a poignant, inspiring film about embracing life’s fleeting moments, but it falls short of that ambition. What could have been a poetically beautiful story is instead reduced to a jumble of clichés, rushed relationships, and inconsistent character development. With chemistry that often feels one-sided and characters that feel recycled from other works, the film ultimately lacks the emotional depth it strives for. Corey Mylchreest is the saving grace of My Oxford Year, but even his charm couldn’t make up for the inconsistent plot. 

Outlander: Blood of My Blood will clearly stand on its own, if not become a more compelling story to watch. Each couple offers a different love story while their other plots to keep you rooted in the Scottish Highlands such as the brother’s political struggles, the Clan fighting. You feel more deeply rooted into the Scottish environment than Outlander. The character’s feel more defined and Blood of My Blood uses the beautiful Scottish scenery to its’ benefit.  Blood of My Blood feels more authentically Scottish, more deeply rooted in the land and lore and in Ellen MacKenzie, the show has already found a formidable lead who might just outshine those who came before.

Superman is a directorial masterclass. James Gunn somehow nods to the past iterations while opening a door to the future. David Corenswet stuns as Superman and after watching, it is clear that he was born to play this role. Justice, heart and empathy are all the main focus of this story and it's a stark reminder that if we lose this, we lose what it means to be human. It is shamelessly funny, emotion led and delivers excellence on every level. Superhero movies have been taken away from the grit and grime and reclaimed into something fun and enjoyable for all.